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Sony UWP-D Two-Receiver Camera-Mount Wireless Combo Microphone System Kit
Description
  • 2 x URX-P40 Camera-Mount Receivers
  • 2 x UTX-B40 Bodypack Transmitters + Lavs
  • UTX-P40 Plug-On Transmitter, 48V Phantom
  • Senal ENG-18RL Omni Dynamic Mic
  • Auray UPOH-B Plug-On Transmitter Holster
  • Kopul CMCS-1 Mic Combiner/Splitter
  • Vello V-Rig 4.1" Triple-Shoe Bracket
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Availability: Available/In Stock (10)
Quantity Sold: 6
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Condition: Brand New
Catalog #: NJA235228
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Regular Price: $2,299.00
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Our Price: $2,189.00
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Specification
Overview
Product Includes
 

ThisSony UWP-D Two-Receiver Camera-Mount Wireless Combo Microphone System KitfromB&His ideal for two-person, two-camera shoots with each camera having its own receiver. Alternatively, you can use the included accessories in this versatile kit to record both receivers to a single camera.

The kit includes two URX-P40 camera-mount receivers with shoemount adapters and two UTX-B40 bodypack transmitters, each with a ECM-V1BMP omnidirectional lavalier microphone for hands-free presentations and performances. The UTX-P40 plug-on transmitter with 48V phantom allows you to use any handheld or shotgun microphone wirelessly and an Auray UPOH-B holster is included to protect the transmitter. The Senal ENG-18RL is a broadcast micwith a forgiving omnidirectional pickup pattern well suited to interviews.

For single camera shoots, the included Vello V-Rig bracket offers three shoe mountstwo for the receivers and a third for theKopul CMCS-1 mic combiner/splitter. The passive CMCS-1 requires no batteries and allows you to record both receivers to the camera's single input jack.

Sony UWP-D21 Camera-Mount Wireless Omni Lavalier Microphone System (UC90: 941 to 960 MHz)

TheSony UWP-D21is a dependable camera-mount wireless lavalier microphone system that delivers uncompromising audio quality while still being easy to use and fast to set up with no menu diving. It is made with simplicity in mind for DIY cameramen, videographers, vloggers, and journalists working in the field without a crew. The system is packed with professional features including NFC Sync and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you, so you're ready to shoot within seconds.

The UWP-D21 offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability, even under difficult shooting conditions. Rugged and lightweight, this system includes a bodypack transmitter with an ECM-V1BMP omnidirectional lavalier mic. It also comes with a low-profile camera-mount receiver designed for enhanced mobility with compact camcorders and smaller DSLR/mirrorless cameras.

Sony shooters can take advantage of the SMAD-P5 digital MI Shoe adapter (available separately), which provides a direct, clean digital audio connection to select cameras equipped with adigitalMulti Interface Shoe. With the UWP-D21, you can focus on the other critical elements competing for your attention during a shoot and confidently record crisp, clear speech or dialog for projects ranging from documentaries to wedding videos, YouTube content, corporate spots, and hands-free interviews.

The UWP-D21 is backward-compatible with Sony WL-800 and UWP Series systems.

Professional Features to Speed Up Your Workflow

NFC Automatic Channel-Setting Mode
Press and hold the NFC/Sync button, and the receiver scans for the cleanest RF channel. Simply hold the transmitter next to the receiver; it automatically syncs up and youre good to go!

Unlike purely digital systems, the UWP-D21 allows you to send a single mic to multiple cameras for broadcast applications. Fast NFC communication makes setup for multiple receivers a breeze.

Auto-Gain Mode to Prevent Mic Distortion
Auto-Gain mode saves you the time and aggravation of setting and managing the input level on the transmitter. It uses a limiter to help prevent distortion, great when the loudness of the presenters voice is unknown.

The +15 dB Gain Volume-Boost mode boosts the mic gain by 15 dB to compensate for situations when the mic is not close enough to the presenters mouth and the audio level is insufficient.

Manual input-level setting is also available.

High-Visibility OLED Display for Indoor/Outdoor Use
Both transmitter and receiver feature an easy-to-read OLED display. The quick response of the display lets you see the operating conditions clearly and accurately in real time, even in bright sunlight.

Channel Memory Function
The channel memory function lets you quickly switch between the grooms lav mic and the wedding guests interview mic with the press of a button. It also allows for a fast change between mics in corporate presentations or quickly swapping to a back-up mic.

DSP Filter Removes Occupancy Sensors Artifacts
Two levels of DSP filtering help remove the artifacts caused by occupancy sensors used in modern green buildings to turn off lights when people leave a room.

Reliable Reception with True Diversity

To achieve stable audio, the UWP-D receiver employs true-diversity technology with two antennas and two independent receiver sections within the unit. Both RF signals are compared and the stronger signal is automatically selected for outputreducing dropouts to a minimum.

The angle of the two antennas can also be adjusted, which helps to further prevent signal dropouts.

The system offers an 18 MHz bandwidth with 654 UHF frequencies.

High-Quality Sound with Digital Audio Processing

Unlike traditional analog wireless systems, The UWP-D supplements its proven analog UHF transmission technology with a proprietary digital audio processing. Transient sounds and consonants are reproduced with greater accuracy, resulting in clear, natural sound thats intelligible and nuanced.

The ECM-V1BMP lavalier mic is optimized for capturing clear and intelligible speech. This omnidirectional mic picks up sound from every direction, allowing for a variety of placement options and freedom of movement.

A Compact Build, Ready for the Camera

The UWP-D21 features a robust, all-metal construction well suited for tough operating conditions.

The compact bodypack transmitter is lightweight and comfortable for the talent to wear. A locking, 3.5mm BMP-type microphone input connector ensures that your lav doesnt detach at a critical moment.

Using the included shoemount adapter, the receiver easily mounts on your camera, while adding minimal weight to your rig. Cables are included to connect to cameras equipped with either a 3.5mm or an XLR audio input.

Direct Digital Audio via SMAD-P5 MI Shoe Adapter

The SMAD-P5 digital MI Shoe adapter allows you to integrate the receiver with XDCAM camcorders and select Sony cameras equipped with adigitalMulti Interface Shoe.

  • This setup provides a direct digital connection, skipping the receivers D/A and cameras A/D converters for superior audio quality and low noise.
  • Audio information such as RF level meter, audio-mute status, and low-battery alert for the transmitters is displayed on the camera's viewfinder.
  • This cable-free configuration allows for fast setup in the field.
  • Compatible models includethe a7R IV mirrorless camera, the PXW-Z280 and PXW-Z190 XDCAM camcorders, and more.

Multiple Powering Options

Two AA batteries (alkaline or NiMH rechargeable type) power the transmitter for up to 8 hours and the receiver for up to 6 hours.

A battery count-up timer allows for accurate reading of battery running time to minute accuracy.

The transmitter and receiver can also be powered through their USB ports, allowing them to run for numerous hours on a USB power pack or indefinitely, if you have access to AC.

With the SMAD-P5 Digital MI Shoe adapter, the receiver can get power directly from Sony cameras equipped with an MI Shoe.

Cartridge-type battery cases allow for quick battery replacement on set.

Headphone Monitoring for Location Sound

If your camera doesnt have a headphone jack, Phone mode lets you monitor your sound via the receivers headphone output while recording.

When the receiver is used as a personal monitoring device by director or crew on set, Monitor mode lets you adjust the headphone volume on the fly with the +/- buttons.

Other Features

  • The RF output level on the transmitter has two settings: the 5mW option allows you to conserve battery life, while the 30mW setting gives you more power to overcome interference, great in busy RF environments.
  • Switchable Mic/Line input level so you can set the correct gain level for your sound source.
  • Low-cut filter reduces noise caused by wind or machineryOff / Low (100 Hz) / Mid (150 Hz) / High (200 Hz).
  • The receiver provides a variable output level control of 12 dB, useful when working with cameras without manual input level control.
  • Simple menus make navigation easy. Advanced menus for in-depth control are also available.
  • The variable mute button on the transmitter can be programmed for latched or momentary muting. It can also be used as a momentary talk button.
  • You can operate up to 14 mics in one location.

Configure Your System to Do More

With this set, you can add the UTX-M40 handheld wireless mic with a cardioid capsule, ideal in situations where you don't have time to position a lavalier mic or you need to quickly pass the mic between several people.

Adding the UTX-P40 plug-on transmitter with 48V phantom allows you to connect any handheld microphone of your choice for man-on-the-street-style interviews or a shotgun mic for wireless booming.

For clearer speech in noisy environments, you can substitute the included lav mic with an ECM-322BMP headset mic.

Compatibility with Other Sony Wireless Systems

The UWP-D transmitter can be used with a UWP Series or WL-800 Series receiver. A UWP Series or WL-800 Series transmitter can be used with a UWP-D receiver.
UPC: 027242918559

Sony UWP-D26 Camera-Mount Wireless Combo Microphone System (UC90: 941 to 960 MHz)

TheSony UWP-D26is a dependable camera-mount wireless combo microphone system that delivers uncompromising audio quality, while still being easy to use and fast to set up with no menu diving. It is made with simplicity in mind for DIY cameramen, videographers, vloggers, and journalists working in the field without a crew. The system is packed with professional features including NFC Sync and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you, so you're ready to shoot within seconds.

Rugged and lightweight, the UWP-D26 includes a bodypack transmitter with an ECM-V1BMP omnidirectional lavalier mic. Also included is a plug-on transmitter, which can be attached to a handheld microphone of your choice for man-on-the-street interviews, or to a shotgun mic for wireless booming (both types of mics are available separately). The plug-on provides 48V phantom power, giving you the option to use a condenser microphone.

The low-profile camera-mount receiver is designed for enhanced mobility with compact camcorders and smaller DSLR/mirrorless cameras. It offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability-even under difficult shooting conditions.

Sony shooters can take advantage of the SMAD-P5 digital MI Shoe adapter (available separately), which provides a direct, clean digital audio connection to select cameras equipped with adigitalMulti Interface Shoe. With the UWP-D26 you can focus on the other critical elements competing for your attention during a shoot, and confidently record crisp, clear speech or dialog for projects ranging from documentaries to wedding videos, YouTube content, corporate spots, and hands-free interviews.

The UWP-D26 is backward-compatible with Sony WL-800 and UWP Series systems.

Note: While this system includes two transmitters, only one can be used at a time.

Professional Features to Speed Up Your Workflow

NFC Automatic Channel-Setting Mode
Press and hold the NFC/Sync button, and the receiver scans for the cleanest RF channel. Simply hold the transmitter next to the receiver; it automatically syncs up and youre good to go!

Unlike purely digital systems, the UWP-D26 allows you to send a single mic to multiple cameras for broadcast applications. Fast NFC communication makes setup for multiple receivers a breeze.

Auto-Gain Mode to Prevent Mic Distortion
Auto-Gain mode saves you the time and aggravation of setting and managing the input level on the transmitter. It uses a limiter to help prevent distortion, great when the loudness of the presenters voice is unknown.

The +15 dB Gain Volume-Boost mode boosts the mic gain by 15 dB to compensate for situations when the mic is not close enough to the presenters mouth and the audio level is insufficient.

Manual input-level setting is also available.

High-Visibility OLED Display for Indoor/Outdoor Use
Receiver and both transmitters feature an easy-to-read OLED display. The quick response of the display lets you see the operating conditions clearly and accurately in real time, even in bright sunlight.

Channel Memory Function
The channel memory function lets you quickly switch between the grooms lav mic and the wedding guests interview mic with the press of a button. It also allows for a fast change between mics in corporate presentations or quickly swapping to a back-up mic.

DSP Filter Removes Occupancy Sensors Artifacts
Two levels of DSP filtering help remove the artifacts caused by occupancy sensors used in modern green buildings to turn off lights when people leave a room.

Reliable Reception with True Diversity

To achieve stable audio, the UWP-D receiver employs true-diversity technology with two antennas and two independent receiver sections within the unit. Both RF signals are compared and the stronger signal is automatically selected for outputreducing dropouts to a minimum.

The angle of the two antennas can also be adjusted, which helps to further prevent signal dropouts.

The system offers an 18 MHz bandwidth with 654 UHF frequencies.

High-Quality Sound with Digital Audio Processing

Unlike traditional analog wireless systems, The UWP-D supplements its proven analog UHF transmission technology with a proprietary digital audio processing. Transient sounds and consonants are reproduced with greater accuracy, resulting in clear, natural sound thats intelligible and nuanced.

The ECM-V1BMP lavalier mic is optimized for capturing clear and intelligible speech. This omnidirectional mic picks up sound from every direction, allowing for a variety of placement options and freedom of movement.

A Compact Build, Ready for the Camera

The UWP-D26 features a robust, all-metal construction well suited for tough operating conditions.

The compact bodypack transmitter is lightweight and comfortable for the talent to wear. A locking, 3.5mm BMP-type microphone input connector ensures that your lav doesnt detach at a critical moment.

The equally lightweight plug-on transmitter attaches to any dynamic or condenser microphone equipped with an XLR connector.

Using the included shoemount adapter, the receiver easily mounts on your camera, while adding minimal weight to your rig. Cables are included to connect to cameras equipped with either a 3.5mm or an XLR audio input.

Direct Digital Audio via SMAD-P5 MI Shoe Adapter

The SMAD-P5 digital MI Shoe adapter allows you to integrate the receiver with XDCAM camcorders and select Sony cameras equipped with adigitalMulti Interface Shoe.

  • This setup provides a direct digital connection, skipping the receivers D/A and cameras A/D converters for superior audio quality and low noise.
  • Audio information such as RF level meter, audio-mute status, and low-battery alert for the transmitters is displayed on the camera's viewfinder.
  • This cable-free configuration allows for fast setup in the field.
  • Compatible models include the a7R IV mirrorless camera, the PXW-Z280 and PXW-Z190 XDCAM camcorders, and more.

Multiple Powering Options

Two AA batteries (alkaline or NiMH rechargeable type) power the bodypack transmitter for up to 8 hours, the plug-on transmitter for up to 6 hours, and the receiver for up to 6 hours.

A battery count-up timer allows for accurate reading of battery running time to minute accuracy.

Both transmitters and the receiver can also be powered through their USB ports, allowing them to run for numerous hours on a USB power pack or indefinitely, if you have access to AC.

With the SMAD-P5 Digital MI Shoe adapter, the receiver can get power directly from Sony cameras equipped with an MI Shoe.

Cartridge-type battery cases allow for quick battery replacement on set.

Headphone Monitoring for Location Sound

If your camera doesnt have a headphone jack, Phone mode lets you monitor your sound via the receivers headphone output while recording.

When the receiver is used as a personal monitoring device by director or crew on set, Monitor mode lets you adjust the headphone volume on the fly with the +/- buttons.

Other Features

  • The RF output level on the bodypack transmitter has two settings: the 5mW option allows you to conserve battery life, while the 30mW setting gives you more power to overcome interference, great in busy RF environments.
  • On the plug-on, the RF output level can be switched between 5 and 40mW.
  • Switchable Mic/Line input level so you can set the correct gain level for your sound source.
  • Low-cut filter reduces noise caused by wind or machineryOff / Low (100 Hz) / Mid (150 Hz) / High (200 Hz).
  • The receiver provides a variable output level control of 12 dB, useful when working with cameras without manual input level control.
  • Simple menus make navigation easy. Advanced menus for in-depth control are also available.
  • The variable mute buttons on the transmitters can be programmed for latched or momentary muting. It can also be used as a momentary talk button.
  • You can operate up to 14 mics in one location.

Compatibility with Other Sony Wireless Systems

The UWP-D transmitter can be used with a UWP Series or WL-800 Series receiver. A UWP Series or WL-800 Series transmitter can be used with a UWP-D receiver.
UPC: 027242918634

Senal ENG-18RL Broadcast Omnidirectional Dynamic Microphone (Long)

TheSenal ENG-18RLis a broadcast-quality omnidirectional dynamic microphone. The dynamic capsule picks up sound in a 360 pattern and does not require a battery or phantom power, making it a reliable choice for critical field applications. The microphone's exceptionally low handling noise and resistance to wind noise and vocal plosives make it perfect for professional ENG applications like live reporting, interviews, and press conferences.

At multiple areas inside the microphone, natural rubber with special shock-absorbing properties is bonded to carbon steel rings to isolate the sealed inner shell from the outer shell. This system protects the microphone capsule from impacts and inclement weather, and dissipates kinetic energy, dramatically reducing handling noise and resonance due to rustling and knocking.

The microphone also incorporates multistage wind protection to minimize wind noise and vocal plosives. A mesh grille, acoustic foam, acoustic fabric, and another layer of acoustic foam work to diffuse excess sound pressure from wind and breath. A fixed rigid carbon-steel ring with a unique bullet-shaped design disperses breath to minimize vocal plosives.

The EQ curve is tailored for broadcast use, with a gradual low-frequency roll-off to keep out unwanted rumble, a pronounced midrange to ensure speech intelligibility, and a high-frequency roll-off to eliminate hiss and sibilance distortion. Whether broadcasting on television, AM/FM radio, or over the internet, the ENG-18RL is designed to ensure that dialogue cuts through the mix, and can be broadcast live without EQ adjustment.

The ENG-18RL features a durable aluminum-alloy shaft designed for EMI rejection and reduced internal resonance, with a matte black finish for a professional appearance and minimum light reflection. The mic is also long enough to accommodate a mic flag.

Ideal Choice for Critical Field Applications

The broadcast-quality omnidirectional dynamic capsule picks up sound in a 360 pattern and does not require a battery or phantom power, making it a reliable choice for critical field applications

Isolated Inner Shell

The kinetic isolation system helps protect the microphone capsule and dissipate kinetic energy to dramatically reduce handling noise and resonance. Natural rubber shockmouts are bonded to carbon steel rings to isolate the sealed inner shell from the outer shell

Diffuses Excess Sound Pressure From Wind and Vocal Plosives

Multistage wind protection comprises a mesh grille, acoustic foam, a bullet-shaped ring, acoustic fabric, and another layer of acoustic foam to diffuse excess sound pressure from wind and vocal plosives

Broadcast Live Without EQ Adjustment

The EQ curve is tailored for broadcast use, with a gradual low-frequency roll-off to keep out unwanted rumble, a pronounced midrange to ensure speech intelligibility, and a high-frequency roll-off to eliminate hiss and sibilance distortion

Can Accommodate Mic Flag

The ENG-18RL is long enough to fit a mic flag for show or station identification
UPC: 847628572461

Auray Universal Plug-On Transmitter Holster

TheAurayUniversal Plug-On Transmitter Holsteris a durable leather case that will fit most wireless plug-on transmitters. It builds upon its predecessor, the UPOH-A, by increasing the area of the side window. This change accommodates more brands and models.

The side window makes it easy for you to view and access your transmitter's controls. Also, you'll notice that the connector cutout has been made wider to facilitate cable interaction and connectivity with a greater range of transmitters.

The AurayPlug-On Transmitter Holsteris built with a heavy-duty belt clip. The transmitter is secured in the holster by a touch-fastener closure that keeps your device protected while conveniently at your side.

Leather Holster

The Auray holster is an excellent option for your transmitter. It keeps it secured within this stylish leather case and protects it from dust, dirt, and bumps in your environment.

Heavy-Duty Belt Clip

The belt clip is made of heavy-duty metal, and it clamps securely to your belt or pocket.

Large Side Window

The side window is larger than the window of this model's predecessor, allowing for easy viewing and access to your transmitter, permitting you to quickly make adjustments such as changing channels or the volume on the fly.

Touch-Fastener Closure

The touch-fastener closure provides a snug, secure fit for your transmitter and keeps the transmitter protected, while on the belt and when in use.

Compatible Plug-On Transmitters:

  • Azden 35XT
  • Lectrosonics HMa
  • Senal AWS-2000P
  • Sennheiser SKP 100
  • Sennheiser SKP 500
  • Sony UTX-P03
  • Sony UTX-P40
  • Similar-sized wireless transmitters
UPC: 847628007604

Vello V-Rig 4.1" Triple Shoe Bracket

TheVello V-Rig 4.1" Triple Shoe Bracketmounts onto a camera's accessory shoe in order to provide three additional accessory shoes for mounting lights, monitors, microphones, or other accessories. In addition to the shoe mount, a 1/4"-20 thread is also available for attaching the bracket to a tripod, rig, or other bracket featuring a 1/4"-20-threaded mount.

The bracket is constructed from rigid, yet lightweight single-piece aluminum alloy, and the mounting shoes are machined out of the same piece as the bracket, for additional strength. The accessory shoes also feature backstops for greater security when attaching accessories. The bottom shoe that attaches to the camera features a locking pin, which keeps the shoe in place and prevents the shoe from rotating during use.

4.1"-Wide Bracket

This V-Bracket's width spans 4.1" and has a tiered design for mounting up to three additional accessories.

Machined Aluminum Alloy

The bracket is machined out of a single piece of aluminum alloy, which provides greater strength to the three shoes.

Accessory Shoe and 1/4"-20 Socket Mounts

The bracket can attach directly to a camera via the accessory shoe or, additionally, it features a 1/4"-20 socket for attaching to threaded mounts such as a tripod.

Locking Pin

The bottom shoe that mounts on to the camera features a locking pin, which prevents the bracket from rotating.
UPC: 847628580169

Kopul CMCS-1 Passive 3.5mm Microphone Combiner/Splitter

Offering superior sound quality compared to conventional adapter cables, theKopul CMCS-1lets you easily capture sound from two 3.5mm microphones into your DSLR camera or camcorder in discreet mono or combined stereo while bypassing the hassle of a dangling adapter cable.

This simple and lightweight solution utilizes a shoe mount for effortless attachment to your shooting rig, and it features dual mono inputs for external microphones and a 3.5mm stereo output, making connectivity uncomplicated. The onboard switch allows the CMCS-1 to transmit a mixed stereo signal or two individual mono signals to any DSLR camera or camcorder with a 3.5mm input.

The compact and featherlight CMCS-1 is ideal for recording dialogue, narration over ambient sound, or stereo soundscapes and is so straightforward to operate, it will improve your audio without any interruptions for your workflow. Since the CMCS-1 is passive, it requires no batteries or special source of power.

Combines Two Mic Signals

Kopul's CMCS-1 allows you to add two external microphones to your camera rig. Use two lavalier mics when you're recording dialogue or a lavalier and a camera-mountable microphone for recording a narrator with some ambient sound.

Wide Frequency Response

There's nothing like rich audio to enhance a video production. The wide 20 Hz to 20 kHz frequency response means the CMCS-1 can transmit detailed and accurate sound to your camera.

Simple to Use

The CMCS-1 couldn't be simpler to use. Its passive design means no power source is necessary. All you do is plug in your 3.5mm microphones, connect the included 3.5mm cable to your camera's audio input, and you're ready to record.

Sums Two Signals to Mono

When you select mono mode, the CMCS-1 combines both mic inputs to a mono signal and outputs this mono mix identically to two channels. Since the two mic signals are married together, you can tweak the level, EQ, or compression of the combined signals in postproduction.

Splits Two Signals

When you select stereo mode, the CMCS-1 splits the two signals and outputs them to separate channels. This is ideal if you want the flexibility to alter the volume, EQ, compression, and panning on each individual track in postproduction. It's also a great option if you want to record a stereo soundscape.

Camera Mountable

The CMCS-1 attaches directly to your camera's hot/cold shoe. Weighing less than two ounces, the CMCS-1 is featherlight. You might not even know it's there.

Mounting Socket

The CMCS-1 is outfitted with a 1/4"-20 mounting socket so you can conveniently mount it on a tripod or onto your camera rig.

Includes Audio Cable

The CMCS-1 comes with a coiled 3.5mm TRS cable, which extends from eight to 30 inches. It features gold connector plating and OFC (oxygen-free copper) shielding to maintain the purity of your signal.